E'en round the Pole the flames of love aspire,
And icy bosoms feel the sacred fire.
Cradled in snow and fanned by Arctic air,
Shines, gentle Borametz, thy golden hair ;
Booted in earth, each cloven foot descends,
And round and round her flexile neck she bends,
Crops the grey coral moss and hoary thyme
Or laps with rosy tongue the melting rime ;
Eyes with mute tenderness her distant dam,
And seems to bleat — a ' vegetable lamb.'
Curiously enough, when in Norway last year, I came
across an old wooden chair, and the back was carved in
a way that seems to me conclusively to represent this
old tradition. The design is a lamb enclosed in a circular
cocoon, surrounded by branches and leaves. This chair
I have now.
In the ' Nineteenth Century ' of January 1880, there
appeared a very interesting article on Parkinson's
' Paradisi in Sole,' called ' Old-fashioned Gardening,' by
Mrs. Kegan Paul. She describes the title-page, and says,
1 The tree of knowledge, its fruit still unplucked by Adam,
appears in the centre of the plate.' I thought we were
54 POT-POURRI FROM A SURREY GARDEN
told that Adam never did pick it, but received it from the
hand of Eve ? But this is a trifling criticism on a useful
and original article. Mrs. Paul makes a great many
delightful quotations from Parkinson, and says that he is
' not content to deny that single flowers can be trans-
formed into double " by the observation of the change of
the Moone, the constellations or conjunctions of Planets
or some other Starres or celestial bodies." Parkinson
holds that such transformation could not be effected by
the art of man.' In her condemnation of bedding-out
and in her admiration of the old-fashioned English
garden, read by the light of these sixteen years, Mrs.
Paul's article is almost prophetic. The ' Paradisi in Sole '
is essentially a book describing a garden of ' pleasant
flowers ' and with many interesting details about their
cultivation. There is no allusion to medical matter at
all, though, as usual, the botanist was a doctor. The
woodcuts are rather coarser and rougher than in the
Dutch book before described, but they are fairly drawn
and generally like N ature. In a little book by Mrs. Ewing,
called ' Mary's Meadow,' the author speaks a good deal
of this book of Parkinson's, and in a footnote she alludes
to the fact that the title is an absurd play upon words,
after the fashion of Parkinson's day. Paradise is
originally an Eastern word, meaning a park or pleasure
ground. Paradisi in sole Paradisus terrestris means
Park-in-son's Earthly Paradise !
1640. We now come to Parkinson's second book,
' The Theatre of Plants, or an Universal and Complete
Herbal. Composed by John Parkinson, Apothecary of
London and the King's Herbarist ' — (' the King ' being
Charles I., at the time just preceding his execution).
The frontispiece is quite as curious in its way as the
one in the ' Paradisi in Sole.' It has a portrait of old
Parkinson in a skull-cap, looking very wise and holding
MARCH 55
Page 32
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E'en round the Pole the flames of love aspire,
And icy bosoms feel the sacred fire.
Cradled in snow and fanned by Arctic air,
Shines, gentle Borametz, thy golden hair ;
Booted in earth, each cloven foot descends,
And round and round her flexile neck she bends,
Crops the grey coral moss and hoary thyme
Or laps with rosy tongue the melting rime ;
Eyes with mute tenderness her distant dam,
And seems to bleat — a ' vegetable lamb.'
Curiously enough, when in Norway last year, I came
across an old wooden chair, and the back was carved in
a way that seems to me conclusively to represent this
old tradition. The design is a lamb enclosed in a circular
cocoon, surrounded by branches and leaves. This chair
I have now.
In the ' Nineteenth Century ' of January 1880, there
appeared a very interesting article on Parkinson's
' Paradisi in Sole,' called ' Old-fashioned Gardening,' by
Mrs. Kegan Paul. She describes the title-page, and says,
1 The tree of knowledge, its fruit still unplucked by Adam,
appears in the centre of the plate.' I thought we were
54 POT-POURRI FROM A SURREY GARDEN
told that Adam never did pick it, but received it from the
hand of Eve ? But this is a trifling criticism on a useful
and original article. Mrs. Paul makes a great many
delightful quotations from Parkinson, and says that he is
' not content to deny that single flowers can be trans-
formed into double " by the observation of the change of
the Moone, the constellations or conjunctions of Planets
or some other Starres or celestial bodies." Parkinson
holds that such transformation could not be effected by
the art of man.' In her condemnation of bedding-out
and in her admiration of the old-fashioned English
garden, read by the light of these sixteen years, Mrs.
Paul's article is almost prophetic. The ' Paradisi in Sole '
is essentially a book describing a garden of ' pleasant
flowers ' and with many interesting details about their
cultivation. There is no allusion to medical matter at
all, though, as usual, the botanist was a doctor. The
woodcuts are rather coarser and rougher than in the
Dutch book before described, but they are fairly drawn
and generally like N ature. In a little book by Mrs. Ewing,
called ' Mary's Meadow,' the author speaks a good deal
of this book of Parkinson's, and in a footnote she alludes
to the fact that the title is an absurd play upon words,
after the fashion of Parkinson's day. Paradise is
originally an Eastern word, meaning a park or pleasure
ground. Paradisi in sole Paradisus terrestris means
Park-in-son's Earthly Paradise !
1640. We now come to Parkinson's second book,
' The Theatre of Plants, or an Universal and Complete
Herbal. Composed by John Parkinson, Apothecary of
London and the King's Herbarist ' — (' the King ' being
Charles I., at the time just preceding his execution).
The frontispiece is quite as curious in its way as the
one in the ' Paradisi in Sole.' It has a portrait of old
Parkinson in a skull-cap, looking very wise and holding
MARCH 55