Of course, as soon as the tea was merged
into the virtual equivalent of an evening
party given in the daytime, its recommenda-
tion as a cheap and convenient method of
entertaining one's friends vanished. While
one merely dropped in for a cup of tea on
the way home from calls or shopping, a plain
walking gown or visiting costume was per-
fectly appropriate. But with the increased
formality of the tea arose the necessity for
richer dress, and the afternoon kettle-drum
became a kind of heterogeneous-looking as-
sembly, where, at five o'clock in the after-
noon, some of the women would appear in
evening gowns, with low necks and short
sleeves, and some in street suits, while the
men, of course, wore morning coats ; al-
though in small towns the sight of men in
dress suits before six o'clock is an anomaly
too often witnessed.
Even apart from the matter of dress, other
difficulties and complications arose. Per-
266
AFTERNOON TEA
sons in moderate circumstances who had re-
joiced at the advent of the tea, because it
rendered feasible the gratification of their
hospitable instincts at an outlay within their
means, shrank back in dismay from this hy-
brid form of assembly, declaring that it was
as easy to give a regular evening party, and
get the credit for that, as it was to receive
guests in a fashion which assumed simplicity,
but cost no less than an affair that made
more show.
A few women have had the courage to ad-
here to what was the original design of the
afternoon tea, and to offer their guests only
the light refreshments suitable for this form
of entertaining. To such people the labor
connected with thus gathering their friends
about them is a trifling task. The hostess
sees that her rooms are in their best looks ;
fills a few vases with fresh flowers, to give a
festal air ; sets a round-table in her drawing-
room or library, or in the dining-room, if these
apartments are en suite / draws up her pret-
tiest cups and saucers and plates in battle
array, and invites a few young girls or inti-
267
WHAT TO EAT — HOW TO SERVE IT
mate friends to assist her. They wear either
pretty house costumes or dainty tea gowns.
For refreshments are provided tea and choco-
late, possibly bouillon, bread-and-butter or
tiny sandwiches, and plenty of light cakes.
The eating is a secondary matter, the raison
Wetve of the company being the desire for
pleasant social intercourse in an informal
fashion.
The woman who has a regular " at home "
or a weekly " afternoon tea " during the sea-
son provides even less. She has tea or cocoa
— rarely both — bread-and-butter or fancy bis-
cuit, and cake. The toasted muffins or crum-
pets and the many tea-cakes dear to the
British palate are little in vogue here, where
the dinner hour is almost invariably six or
half after six. Very few are the houses
where daily afternoon tea is the rule.
Numberless pretty adjuncts can be pro-
cured to contribute to the attractiveness of
the kettle-drum. The tall crane, with its
brass, copper, or silver kettle, the daintily
embroidered tea and tray cloths, the fine
fringed or hemstitched doilies, the exquisite
268
AFTERNOON TEA
china, the quaint teapot, the cozy, the odd
dishes for cake and biscuit — all afford oppor-
tunity for the display of a cultured taste or
of a quick fancy. Nothing need be very
costly, but everything must be pretty, and
in this day the combination of beauty and
cheapness is by no means diflBcult or un-
usual.
Page 70
Presented as published in 1891. Historical recipes may not meet modern food-safety standards. Cook from the modern interpretation, not the original instructions.
AI-modernized reading of the original text
Of course, as soon as the tea was merged into the virtual equivalent of an evening party given in the daytime, its recommendation as a cheap and convenient method of entertaining one's friends vanished. While one merely dropped in for a cup of tea on the way home from calls or shopping, a plain walking gown or visiting costume was perfectly appropriate. But with the increased formality of the tea arose the necessity for richer dress, and the afternoon kettle-drum became a kind of heterogeneous-looking assembly, where, at five o'clock in the afternoon, some of the women would appear in evening gowns, with low necks and short sleeves, and some in street suits, while the men, of course, wore morning coats ; although in small towns the sight of men in dress suits before six o'clock is an anomaly too often witnessed.
Even apart from the matter of dress, other difficulties and complications arose. Per-
sons in moderate circumstances who had rejoiced at the advent of the tea, because it rendered feasible the gratification of their hospitable instincts at an outlay within their means, shrank back in dismay from this hybrid form of assembly, declaring that it was as easy to give a regular evening party, and get the credit for that, as it was to receive guests in a fashion which assumed simplicity, but cost no less than an affair that made more show.
A few women have had the courage to adhere to what was the original design of the afternoon tea, and to offer their guests only the light refreshments suitable for this form of entertaining. To such people the labor connected with thus gathering their friends about them is a trifling task. The hostess sees that her rooms are in their best looks ; fills a few vases with fresh flowers, to give a festal air ; sets a round-table in her drawingroom or library, or in the dining-room, if these apartments are en suite; draws up her prettiest cups and saucers and plates in battle array, and invites a few young girls or inti-
mate friends to assist her. They wear either pretty house costumes or dainty tea gowns. For refreshments are provided tea and chocolate, possibly bouillon, bread-and-butter or tiny sandwiches, and plenty of light cakes. The eating is a secondary matter, the raison d'être of the company being the desire for pleasant social intercourse in an informal fashion.
The woman who has a regular " at home " or a weekly " afternoon tea " during the season provides even less. She has tea or cocoa — rarely both — bread-and-butter or fancy biscuit, and cake. The toasted muffins or crumpets and the many tea-cakes dear to the British palate are little in vogue here, where the dinner hour is almost invariably six or half after six. Very few are the houses where daily afternoon tea is the rule.
Numberless pretty adjuncts can be procured to contribute to the attractiveness of the kettle-drum. The tall crane, with its brass, copper, or silver kettle, the daintily embroidered tea and tray cloths, the fine fringed or hemstitched doilies, the exquisite
china, the quaint teapot, the cozy, the odd dishes for cake and biscuit — all afford opportunity for the display of a cultured taste or of a quick fancy. Nothing need be very costly, but everything must be pretty, and in this day the combination of beauty and cheapness is by no means difficult or unusual.