masterpieces from the west, grilled classics from field and
stream, ragouts, stews, desserts, dressings are hung within
reach of all, like garlic clusters from the rafters of oppor-
tunity. Reach up and help yourself.
Be not disturbed by occasional jocund phrases in this
symposium. Behind them is probably concealed a savory
or a flavor. A long paragraph may conclude with full
particulars concerning the achitecture of a gastronomic
dream. Turn the pages slowly lest you be overwhelmed
by the richness of the menu.
« « « «
The late King Edward, upon bidding the later Carlos
of Portugal God-speed back to his native shores, inquired :
"By what were you most impressed during your visit
to the British Isles?"
"Roast beef," said Carlos, expanding in ecstasy.
"And what else?" inquired Edward.
"Well," said Carlos, "the boiled beef wasn't so damned
bad."
« « « «
It is one thing to cook food, and another to consume
it. This inspired tome is the product of cooks who are not
afraid to take their own medicine. The names of many
of the dishes catalogued herein lies on the tongues of the
mob, but the delicacies themselves do not. This book
brings within the reach of all opportunities that up to
now have been denied them. Given a first class stove,
a few simple ingredients and a copy of this book, hunger
can be abolished wherever English is read.
« « « «
[xi]
INTRODUCTION
Rossini, the musician, also a chef, after writing the
score of The Barber of Seville, was informed by the direc-
tor that a prelude was required immediately. Rossini re-
paired to his kitchen, cooked himself a perfect dinner,
consumed it alone, and went to bed where in a reclining
position with score sheets all about him, he wrote a bril-
liant introduction to his brilliant opera. Suddenly a gust
of wind entered unbidden at the window and scattered
the precious sheets about the room. Several disappeared
through the lattice. Rossini, heavy with the consequences
of his culinary genius, re-wrote a fresher and better pre-
lude, tucked it under his corpulent person and rolled
over for a final nap, after which he hastened to the opera
house with his masterpiece. His best work was done on
a full stomach.
« « « #
Brillat-Savarin, author of "Gastronomy as a Fine Art,"
rather whimsically names "Gasteria" the tenth and fair-
est of the Muses. The writers of this book name her as
the first. R. H. D.
[xii]
CONTENTS
PART ONE: CONTRIBUTORS
I Meredith Nicholson
WABASH VALLEY STEAK
II Rex Beach
ONION CLAM CHOWDER
III Hudson Maxim
SPAGHETTI
IV Warren G. Harding
WAFFLES
V Ellis Parker Butler
BOUILLABAISSE JOE TILDEN
VI Jules J. Jusserand .
RADISH SALAD
VII Bruce Barton .
RICE PUDDING
VIII Richard Bennett
LIEDERKRANZ A LA HOOSIER
IX Walt Louderback
CORN CHOWDER
X Caftain Robert A. Bartlett,
C/*o*il« ....
COD FISH
XI George F. Worts
SWEET POTATO PONE
FAGS
31
34
ZS
36
37
38
39
40
41
42
43
[xiii]
CONTENTS
XII Gelett Burgess
PANDOWDY
XIII William Allen White .
VEGETABLE SALAD
XIV Irvin S. Cobb ....
HOG JOWL AND TURNIP
GREENS (PADUCAH STYLE)
XV Richard Walton Tully .
hawaiian croquettes a la
"the bird of paradise"
XVI William Johnston .
OYSTERS PECHEUR
XVII Dr. Charles M. Sheldon .
LIKES BREAD AND MILK
XVIII James Montgomery Flagg .
"jAMES MONTGOMERY SUDs"
XIX Roy L. McCardell .
"eggs mushroomette"
Judge Ben B. Lindsey .
BRAN MUFFINS
Otis Skinner ....
ARTICHOKES, MISTER ANTONIO
Dan Beard ....
A BURGOO
De Wolf Hoffer .
RASPBERRY SHORTCAKE
Chick Evans ....
TOMATO SOUP
XX
XXI
XXII
XXIII
XXIV
VAGA
45
46
48
49
51
52
53
54
56
57
58
60
61
[xiv]
CONTENTS
PAGE
XXV Joshua A. Hatfield . 63
EGGPLANT SAUt£ A L* ALEXAN-
DER
POTATO STICKS ALEXANDER
COLD SAUCE ALEXANDER
Page 2
Presented as published in 1922. Historical recipes may not meet modern food-safety standards. Cook from the modern interpretation, not the original instructions.
AI-modernized reading of the original text
masterpieces from the west, grilled classics from field and stream, ragouts, stews, desserts, dressings are hung within reach of all, like garlic clusters from the rafters of opportunity. Reach up and help yourself.
Be not disturbed by occasional jocund phrases in this symposium. Behind them is probably concealed a savory or a flavor. A long paragraph may conclude with full particulars concerning the architecture of a gastronomic dream. Turn the pages slowly lest you be overwhelmed
by the richness of the menu.
« « « «
The late King Edward, upon bidding the later Carlos of Portugal God-speed back to his native shores, inquired : "By what were you most impressed during your visit to the British Isles?"
"Roast beef," said Carlos, expanding in ecstasy.
"And what else?" inquired Edward.
"Well," said Carlos, "the boiled beef wasn't so damned
bad."
« « « «
It is one thing to cook food, and another to consume it. This inspired tome is the product of cooks who are not afraid to take their own medicine. The names of many of the dishes catalogued herein lies on the tongues of the mob, but the delicacies themselves do not. This book brings within the reach of all opportunities that up to now have been denied them. Given a first class stove, a few simple ingredients and a copy of this book, hunger
can be abolished wherever English is read.
« « « «
[xi]
Rossini, the musician, also a chef, after writing the score of The Barber of Seville, was informed by the director that a prelude was required immediately. Rossini repaired to his kitchen, cooked himself a perfect dinner, consumed it alone, and went to bed where in a reclining position with score sheets all about him, he wrote a brilliant introduction to his brilliant opera. Suddenly a gust of wind entered unbidden at the window and scattered the precious sheets about the room. Several disappeared through the lattice. Rossini, heavy with the consequences of his culinary genius, re-wrote a fresher and better prelude, tucked it under his corpulent person and rolled over for a final nap, after which he hastened to the opera house with his masterpiece. His best work was done on
a full stomach.
« « « #
Brillat-Savarin, author of "Gastronomy as a Fine Art," rather whimsically names "Gasteria" the tenth and fairest of the Muses. The writers of this book name her as the first. R. H. D.
[xii]
PART ONE: CONTRIBUTORS
I Meredith Nicholson
WABASH VALLEY STEAK
II Rex Beach
ONION CLAM CHOWDER
III Hudson Maxim
IV Warren G. Harding
V Ellis Parker Butler
BOUILLABAISSE JOE TILDEN
VI Jules J. Jusserand .
RADISH SALAD
VII Bruce Barton .
RICE PUDDING
VIII Richard Bennett
LIEDERKRANZ A LA HOOSIER
IX Walt Louderback
CORN CHOWDER
X Caftain Robert A. Bartlett,
C/*o*il« ....
COD FISH
XI George F. Worts
SWEET POTATO PONE
FAGS
ZS
[xiii]
XII Gelett Burgess
PANDOWDY
XIII William Allen White .
VEGETABLE SALAD
XIV Irvin S. Cobb ....
HOG JOWL AND TURNIP GREENS (PADUCAH STYLE)
XV Richard Walton Tully .
hawaiian croquettes a la "the bird of paradise"
XVI William Johnston .
OYSTERS PECHEUR
XVII Dr. Charles M. Sheldon .
LIKES BREAD AND MILK
XVIII James Montgomery Flagg .
"jAMES MONTGOMERY SUDs"
XIX Roy L. McCardell .
"eggs mushroomette"
Judge Ben B. Lindsey .
BRAN MUFFINS
Otis Skinner ....
ARTICHOKES, MISTER ANTONIO
Dan Beard ....
A BURGOO
De Wolf Hoffer .
RASPBERRY SHORTCAKE
Chick Evans ....
TOMATO SOUP
XXIII
VAGA
[xiv]
XXV Joshua A. Hatfield . 63
EGGPLANT SAUt£ A L* ALEXAN- DER
POTATO STICKS ALEXANDER
COLD SAUCE ALEXANDER