eating ; but it must be remembered that by stewing, the
coarser and cheaper parts of meat, such as bones, cheeks,
feet, tails, shanks, knuckles, trimmings, &c., may be
rendered highly palatable and nutritious. Every pound
of meat stewed will require about a quart of water (if it
is found too little, warm water can be afterwards added).
The heating should be slow and gradual, the skum taken
off as it rises, and the stewing continued until the flavour
of the meat is entirely extracted. For stewing, the
closed range or stove is preferable to the open grate,
and if the latter is in use contact between the stewpan
and the fire should be prevented.
Notes on Frying.
Frying is a process frequently condemned by scien-
tific authorities mainly, perhaps, because it is in high
favour with bad cooks. Contrast for one moment the
discoloured dish, too often met with in private houses,
in which, say, a little bit of fish is sent up, and presents
what may be called a parti-coloured appearance. Some
part is burned black as a cinder, another part looks the
colour of underdone pie-crust, and again other parts
present bald patches, as if the cook had accidentally
78 PRACTICAL GASTRONOMY
spilled some boiling w?*;ter on ?. cat's back. Contrast
this with the beautifully rich golden-coloured dish that
will make its appearance at the table where the master
mind of one like Francatelli has presided, or with a dish
that one would meet with in a Parisian cafe, the bright
silver dish contrasting temptingly with the gold-coloured
food and the crisp dark green parsley piled in the centre
— a work of art which pleases both eye and palate,
senses nigher akin in their respective offices than thought-
less cooks can imagine them to be. The condition of
the fire is of importance ; you cannot fry properly over
a bad one ; continous care is another necessary condition.
Successful frying, in short, demands both skill and
knowledge, and in proportion to their exercise and degree
will be the reputation of both frying and the fried.
" The art of frying," says Sir Henry Thompson, " is
little understood, and the omelet is ahnost entirely
neglected by our countrymen. The products of our
frying-pan are often greasy, and therefore for many
persons indigestible, the shallow form of the pan being
unsuited for the process of boiling in oil, that is, at the
heat of nearly 500 deg. Fahr. (that of boiling water
being 212 deg.). This high temperature produces results
which are equivalent indeed to quick roasting (when the
article is cooked in boiling fat) ; but frying as generally
conducted is rather a combination of boiling and toast-
ing (or scorching) ; and the use of the deep pan of
boiling oil or dripping which is essential to the right
performance of the process, and especially as preventing
NOTES ON FRYING 79
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eating ; but it must be remembered that by stewing, the
coarser and cheaper parts of meat, such as bones, cheeks,
feet, tails, shanks, knuckles, trimmings, &c., may be
rendered highly palatable and nutritious. Every pound
of meat stewed will require about a quart of water (if it
is found too little, warm water can be afterwards added).
The heating should be slow and gradual, the skum taken
off as it rises, and the stewing continued until the flavour
of the meat is entirely extracted. For stewing, the
closed range or stove is preferable to the open grate,
and if the latter is in use contact between the stewpan
and the fire should be prevented.
Notes on Frying.
Frying is a process frequently condemned by scien-
tific authorities mainly, perhaps, because it is in high
favour with bad cooks. Contrast for one moment the
discoloured dish, too often met with in private houses,
in which, say, a little bit of fish is sent up, and presents
what may be called a parti-coloured appearance. Some
part is burned black as a cinder, another part looks the
colour of underdone pie-crust, and again other parts
present bald patches, as if the cook had accidentally
78 PRACTICAL GASTRONOMY
spilled some boiling w?*;ter on ?. cat's back. Contrast
this with the beautifully rich golden-coloured dish that
will make its appearance at the table where the master
mind of one like Francatelli has presided, or with a dish
that one would meet with in a Parisian cafe, the bright
silver dish contrasting temptingly with the gold-coloured
food and the crisp dark green parsley piled in the centre
— a work of art which pleases both eye and palate,
senses nigher akin in their respective offices than thought-
less cooks can imagine them to be. The condition of
the fire is of importance ; you cannot fry properly over
a bad one ; continous care is another necessary condition.
Successful frying, in short, demands both skill and
knowledge, and in proportion to their exercise and degree
will be the reputation of both frying and the fried.
" The art of frying," says Sir Henry Thompson, " is
little understood, and the omelet is ahnost entirely
neglected by our countrymen. The products of our
frying-pan are often greasy, and therefore for many
persons indigestible, the shallow form of the pan being
unsuited for the process of boiling in oil, that is, at the
heat of nearly 500 deg. Fahr. (that of boiling water
being 212 deg.). This high temperature produces results
which are equivalent indeed to quick roasting (when the
article is cooked in boiling fat) ; but frying as generally
conducted is rather a combination of boiling and toast-
ing (or scorching) ; and the use of the deep pan of
boiling oil or dripping which is essential to the right
performance of the process, and especially as preventing
NOTES ON FRYING 79