girl may do all this alone. I do not want anything to be
expected of the instruction I recommend beyond the
smoothing of the path. It will avail nothing unless it
teaches her to depend in the long run on herself, her own
industry, and her own exertions. A certain amount of
technical skill in the use of pencil and colours, certain
rules of composition, the knowledge of how to stretch
paper, prepare materials, and set about a drawing, may
be imparted by a teacher. This saves all the time and
vexation it would cost to learn these things alone. But
though we may learn from another to some extent how
to think, no one in the world can tell us what to think.
The faculty and the will must be supplied by the learner.
No teacher can instil them, though he may remove
obstacles and help to quicken the growth of the powers
within. Unless a girl have it in her to feel, in however
small a degree, the beauty of the light summer cirrus
which floats above her head, or to know how to look with
joy into the glowing heart of a flower, no books and no
teaching will ever give it to her. Without an inborn love
of natural beauty, no one will ever care enough about
drawing to persevere ; with it, no one can fail to make
progress, however slight. Beginners should, I think,
never destroy their drawings ; they should be kept, not
in conceit, but as a proof of progress. Every drawing,
however, should be made with a definite purpose, and it
is best — as a rule — for each one to draw what she most
fancies ; the result will then probably not only be more
satisfactory, but more original. But to begin sketch after
sketch and study after study, and then give them up or
throw them away half finished, is a form of self-
indulgence most fatal to progress. It debilitates the
intelligence and weakens the moral fibre, which alone
conquers difficulties.
On the other hand, it is not uncommon for un-
314 POT-POURRI FROM A SURREY GARDEN
fortunately conscientious persons to fall into the contrary
error. They may perseveringly linger over unattractive
studies, merely because they offer certain difficulties, on
the ascetic principle of hair shirts and peas in our shoes.
To these I would say : ' If you were pursuing a country
path and turned back at the first stile, instead of climbing
over it, you would never reach your destination. If, on
the other hand, you decided that because climbing a stile
is a disagreeable and tedious process, therefore it must
be good for us, and you promptly climbed back again,
you would delay your progress to no purpose. There
is a distinction between overcoming obstacles which
obstruct our onward and upward path, and idly
creating difficulties for the fancied glory of conquering
them.'
Page 185
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girl may do all this alone. I do not want anything to be
expected of the instruction I recommend beyond the
smoothing of the path. It will avail nothing unless it
teaches her to depend in the long run on herself, her own
industry, and her own exertions. A certain amount of
technical skill in the use of pencil and colours, certain
rules of composition, the knowledge of how to stretch
paper, prepare materials, and set about a drawing, may
be imparted by a teacher. This saves all the time and
vexation it would cost to learn these things alone. But
though we may learn from another to some extent how
to think, no one in the world can tell us what to think.
The faculty and the will must be supplied by the learner.
No teacher can instil them, though he may remove
obstacles and help to quicken the growth of the powers
within. Unless a girl have it in her to feel, in however
small a degree, the beauty of the light summer cirrus
which floats above her head, or to know how to look with
joy into the glowing heart of a flower, no books and no
teaching will ever give it to her. Without an inborn love
of natural beauty, no one will ever care enough about
drawing to persevere ; with it, no one can fail to make
progress, however slight. Beginners should, I think,
never destroy their drawings ; they should be kept, not
in conceit, but as a proof of progress. Every drawing,
however, should be made with a definite purpose, and it
is best — as a rule — for each one to draw what she most
fancies ; the result will then probably not only be more
satisfactory, but more original. But to begin sketch after
sketch and study after study, and then give them up or
throw them away half finished, is a form of self-
indulgence most fatal to progress. It debilitates the
intelligence and weakens the moral fibre, which alone
conquers difficulties.
On the other hand, it is not uncommon for un-
314 POT-POURRI FROM A SURREY GARDEN
fortunately conscientious persons to fall into the contrary
error. They may perseveringly linger over unattractive
studies, merely because they offer certain difficulties, on
the ascetic principle of hair shirts and peas in our shoes.
To these I would say : ' If you were pursuing a country
path and turned back at the first stile, instead of climbing
over it, you would never reach your destination. If, on
the other hand, you decided that because climbing a stile
is a disagreeable and tedious process, therefore it must
be good for us, and you promptly climbed back again,
you would delay your progress to no purpose. There
is a distinction between overcoming obstacles which
obstruct our onward and upward path, and idly
creating difficulties for the fancied glory of conquering
them.'