[If staircases
or passages are white-washed, a dado, about a yard deep
up the side of the staircase and along the passage, of
frilled cretonne, twilled red calico, or anything cheap, is
an excellent way of protecting the wall from all the many
injuries that happen to it. If you like, you can have one
such dado for winter and one for summer, and they can
be washed or cleaned. They look best frilled onto a thin
lath of wood which pulls out. Rings are sewn on the
back for hanging the curtain onto nails or hooks screwed
into the wall at intervals.] If the wall is soft, another
thin lath of wood must be nailed to it to hold the screws.
In a white room a small piece of good drapery or old
leather hung on the wall looks well, or even a few yards
of very superior paper may be put in one place — between
windows, over a chimney-piece, behind a picture, above a
table, or under a bookcase. This form of decoration was
the common one in the fifteenth and sixteenth centuries,
and was, in fact, the way in which tapestry came to be
used. In the old French chdteaux of Touraine the
284 POT-POURRI FROM A SURREY GARDEN
hooks that held these draperies, silks from Italy, and no
doubt many other things, are still to be seen in the walls.
As the French Court moved from chateau to chateau, all
this material moved with them.
If bookcases can be made to order, they are much
better raised a certain height on the wall. This is more
convenient, as grubbing on the floor for the book one
wants is very tiresome. Besides, in this way you can
have the large books at the top, with a wide shelf above
them, and the small ones below, the shelves gradually
diminishing both in height and depth from the wall.
Mr. Morris advocates, in his lectures, the painting of
deal ; the only other way of treating it is simply to oil it.
Mr. Morris, I think, says nothing about painting the
floors. But that seems to me the best solution ; at any
rate, for three feet round the room — red, green, black, and
above all white as often as you like, especially for bed-
rooms. Nothing is so clean, the paint wants no scrub-
bing and no soda ; tepid water and a cloth make every-
thing as clean as new. Staining, though a little cheaper?
wears less well, will not wash, and looks common.
Indian matting and felt look well in the country, but
are not so clean in London. Both collect the black
dust, and the former cannot be taken up. You want to
be really rich to have polished floors of oak or teak.
English housemaids cannot clean them, abroad it is
always done by men. In London it has to be done by
an upholsterer two or three times a year.
If economy is an object in furnishing, one of the best
ways of reducing the outlay in bed-rooms is by dispensing
with the modern washing-stands. The old-fashioned ones
are often too small for comfort ; our ancestors cleaned
themselves with little room and less water. A large
unvarnished deal table with the legs painted to suit the
room is what I recommend. For cheapness it can be
FURNISHING 285
Page 168
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[If staircases
or passages are white-washed, a dado, about a yard deep
up the side of the staircase and along the passage, of
frilled cretonne, twilled red calico, or anything cheap, is
an excellent way of protecting the wall from all the many
injuries that happen to it. If you like, you can have one
such dado for winter and one for summer, and they can
be washed or cleaned. They look best frilled onto a thin
lath of wood which pulls out. Rings are sewn on the
back for hanging the curtain onto nails or hooks screwed
into the wall at intervals.] If the wall is soft, another
thin lath of wood must be nailed to it to hold the screws.
In a white room a small piece of good drapery or old
leather hung on the wall looks well, or even a few yards
of very superior paper may be put in one place — between
windows, over a chimney-piece, behind a picture, above a
table, or under a bookcase. This form of decoration was
the common one in the fifteenth and sixteenth centuries,
and was, in fact, the way in which tapestry came to be
used. In the old French chdteaux of Touraine the
284 POT-POURRI FROM A SURREY GARDEN
hooks that held these draperies, silks from Italy, and no
doubt many other things, are still to be seen in the walls.
As the French Court moved from chateau to chateau, all
this material moved with them.
If bookcases can be made to order, they are much
better raised a certain height on the wall. This is more
convenient, as grubbing on the floor for the book one
wants is very tiresome. Besides, in this way you can
have the large books at the top, with a wide shelf above
them, and the small ones below, the shelves gradually
diminishing both in height and depth from the wall.
Mr. Morris advocates, in his lectures, the painting of
deal ; the only other way of treating it is simply to oil it.
Mr. Morris, I think, says nothing about painting the
floors. But that seems to me the best solution ; at any
rate, for three feet round the room — red, green, black, and
above all white as often as you like, especially for bed-
rooms. Nothing is so clean, the paint wants no scrub-
bing and no soda ; tepid water and a cloth make every-
thing as clean as new. Staining, though a little cheaper?
wears less well, will not wash, and looks common.
Indian matting and felt look well in the country, but
are not so clean in London. Both collect the black
dust, and the former cannot be taken up. You want to
be really rich to have polished floors of oak or teak.
English housemaids cannot clean them, abroad it is
always done by men. In London it has to be done by
an upholsterer two or three times a year.
If economy is an object in furnishing, one of the best
ways of reducing the outlay in bed-rooms is by dispensing
with the modern washing-stands. The old-fashioned ones
are often too small for comfort ; our ancestors cleaned
themselves with little room and less water. A large
unvarnished deal table with the legs painted to suit the
room is what I recommend. For cheapness it can be
FURNISHING 285