The dear, bare branches of my favourite Polygonum
cuspidatum, here planted in a hole in the grass, look
lovely now at this time of the year, red in the sunshine
against a background of evergreens. I have now on the
table before me — cold and grey as it is out of doors —
Marigolds, Tea-rose buds (that are opening in the room,
and looking so pretty with a shoot of their own brown
leaves), Neapolitan Violets, some branches of small white
Michaelmas Daisies, and of ^course Chrysanthemums —
those autumn friends we are half tired of, and yet we
could so little do without. Another striking feature in
the garden just now are some small Beech- trees, quite
small, grown and cut back as shrubs are pruned. In a
soil where Beech-trees do not grow naturally, it is well
worth while to have them in this way, because of their
peculiarity of retaining on their branches the red dry
leaves more than half through the winter, causing a
distinct point of colour against the evergreen shrubs.
November 14£/&. — This is my last day in the country,
calm and warm. I eat my luncheon by the open window.
All Nature is very, very still, the silence broken now and
then by the chirp of a bird and the distant crow of a cock
in some neighbour's yard ; the sky is pearly and grey, and
soft light-grey mists hang about, just enough to show up
206 POT-POURRI FROM A SURREY GARDEN
the glory of some autumn bush or leaf. In front of the
window there are some little delicate leaves of one of the
shrubby Spiraeas, planted on purpose to shine, coral and
gold, late in the year. It does not matter about its being
planted in a choice bed, as its growth is not coarse ; if it
looks a little dried up in summer, it is not noticed when
all the flowers are about. The dear little black and white
pigeons — ' Nuns,' they are called — with outspread wings,
are flying down to feed. The flight of a pigeon is so
beautiful ; no wonder Dante immortalised it in the famous
lines in the Paolo and Francesca episode. That old cynic,
Voltaire, used to say that Dante's fame would always
grow, because he is so little read.
As I sit and watch, the low yellow winter sun bursts
out, illuminating all things. To-morrow he will not
shine for me, as I shall be in that horrid dark London.
One other morbid little poem, appropriate to this time
of year, I think I must give you, for it used to be a great
favourite of mine in past days, before the cheerfulness of
old age came upon me. If I ever knew who was the
author, I have forgotten it now :—
LA MELANCOLIE
Que me dis-tu, morne vent d'automne —
Miserable vent ?
Toi dont la chanson douce et monotone
Jadis charmait tant ?
Tu me dis, helas ! qu'amour et jeunesse
M'ont fait leurs adieux . . .
Et du fond de Tame un flot de tristesse
Me d6borde aux yeux !
Tu me dis, trop bien, ou le sentier mene
Que 1'espoir a fui . . .
Et ton chant piteux, traduisant ma peine,
Triple mon ennui.
NOVEMBER 207
Ce mal qui courbait sur mon foyer vide
Mon front desole —
Ta complainte, 0 vent, et ton souffle humide
Me 1'ont revele ;
C'est le mal des ans— c'est la nostalgic
Des printemps perdus :
Et ton vieux refrain n'est qu'une elegie
Sur ce qui n'est plus 1
Page 122
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The dear, bare branches of my favourite Polygonum
cuspidatum, here planted in a hole in the grass, look
lovely now at this time of the year, red in the sunshine
against a background of evergreens. I have now on the
table before me — cold and grey as it is out of doors —
Marigolds, Tea-rose buds (that are opening in the room,
and looking so pretty with a shoot of their own brown
leaves), Neapolitan Violets, some branches of small white
Michaelmas Daisies, and of ^course Chrysanthemums —
those autumn friends we are half tired of, and yet we
could so little do without. Another striking feature in
the garden just now are some small Beech- trees, quite
small, grown and cut back as shrubs are pruned. In a
soil where Beech-trees do not grow naturally, it is well
worth while to have them in this way, because of their
peculiarity of retaining on their branches the red dry
leaves more than half through the winter, causing a
distinct point of colour against the evergreen shrubs.
November 14£/&. — This is my last day in the country,
calm and warm. I eat my luncheon by the open window.
All Nature is very, very still, the silence broken now and
then by the chirp of a bird and the distant crow of a cock
in some neighbour's yard ; the sky is pearly and grey, and
soft light-grey mists hang about, just enough to show up
206 POT-POURRI FROM A SURREY GARDEN
the glory of some autumn bush or leaf. In front of the
window there are some little delicate leaves of one of the
shrubby Spiraeas, planted on purpose to shine, coral and
gold, late in the year. It does not matter about its being
planted in a choice bed, as its growth is not coarse ; if it
looks a little dried up in summer, it is not noticed when
all the flowers are about. The dear little black and white
pigeons — ' Nuns,' they are called — with outspread wings,
are flying down to feed. The flight of a pigeon is so
beautiful ; no wonder Dante immortalised it in the famous
lines in the Paolo and Francesca episode. That old cynic,
Voltaire, used to say that Dante's fame would always
grow, because he is so little read.
As I sit and watch, the low yellow winter sun bursts
out, illuminating all things. To-morrow he will not
shine for me, as I shall be in that horrid dark London.
One other morbid little poem, appropriate to this time
of year, I think I must give you, for it used to be a great
favourite of mine in past days, before the cheerfulness of
old age came upon me. If I ever knew who was the
author, I have forgotten it now :—
LA MELANCOLIE
Que me dis-tu, morne vent d'automne —
Miserable vent ?
Toi dont la chanson douce et monotone
Jadis charmait tant ?
Tu me dis, helas ! qu'amour et jeunesse
M'ont fait leurs adieux . . .
Et du fond de Tame un flot de tristesse
Me d6borde aux yeux !
Tu me dis, trop bien, ou le sentier mene
Que 1'espoir a fui . . .
Et ton chant piteux, traduisant ma peine,
Triple mon ennui.
NOVEMBER 207
Ce mal qui courbait sur mon foyer vide
Mon front desole —
Ta complainte, 0 vent, et ton souffle humide
Me 1'ont revele ;
C'est le mal des ans— c'est la nostalgic
Des printemps perdus :
Et ton vieux refrain n'est qu'une elegie
Sur ce qui n'est plus 1