A life-loving genius like Brancusi gets as much kudos in Paris
for his creative cooking as for his modern sculpture. He assembles
whatever he has in the cupboard when guests arrive, and beginning
with a deftness worthy ofa,coj'don bleu^ molds and slaps the ingredi-
ents together into an original dish which is said never to be a
duplicate of any other he has made. He, like so many other artists,
99
is a one-dish-is-a-meal cook, and when that dish is done everyone
eats of it ecstatically. And because of such creative achievements,
cooking in France has been officially recognized as the eighth art.
And here is a small gallery of Gallic culinary cornerstones, quite as
perfect in their v/ay as the classic sculptures and columns of ancient
Greece.
POT AU FEU
Any of the cheaper cuts of beef will serve, but rump and shoulder
are the preferred pieces, with a length of marrow bone to give rich-
ness. Rump takes the longest cooking, approximately one third
more time than brisket, or other cut from the fore quarter of the
animal.
For each 2 pounds of beef:
lyi QUARTS COLD WATER 2 CARROTS, QUARTERED
SALT yi PARSNIP (oPTIONAL) .
3 LEEKS I SPRIG THYME
I ONION I SPRIG OF PARSLEY
3 CLOVES I BAY LEAF
6-IO PEPPERCORNS
Place meat in cold water over moderate fire and heat 35-40
minutes without allowing it to reach boiling point. Skim every few
minutes. Increase heat and add i tablespoon salt✪ Pot au Feu, which will bring
remaining scum to the surface so it can be removed. Cut leeks into
finger lengths and wind with thread so they will not fall apart in
cooking; pierce onion with cloves and add with remaining ingredi-
ents. Skim again when vegetables begin to cook. Reduce heat, cover
closely and keep barely at the boiling point until done. The four
essential points are: (i) careful skimming; (2) slow even heat; (3)
a close-fitting cover that does not allow the aroma to escape; (4)
never add more water to the pot while cooking or the flavor will be
ruined.
Taste of the pot during the last half-hour of cooking and add
additional salt if necessary. Take up meat and vegetables, and keep
them hot. Skim fat from soup, strain, and reheat; pour it over sip-
;pets of toasted or fried bread. At the French family table the platter
[of sliced meat and vegetables is passed for each person to choose
lOO MOST-FOR-YOUR-MONEY COOK BOOK
what he likes to put into his soup plate, then the solid portions are
eaten with knife and fork, and the liquid with a whopping big soup
spoon, and the more spoon music the better, though the polite
French never go as far as Orientals who belch loudly and smack
their lips like firecrackers to show full appreciation of food.
A big enamelware saucepan will turn out a fair pot au feu, an
iron kettle is better, but the choice of all cooking utensils for this
is an earthenware pot set on an asbestos ring to protect it from
direct flame. Aluminum is the most unwholesome material in
which to prepare any food, especially if it is to be cooked for a long
time while chemical action is taking place on the metal.
RAGOUT
A ragout is simply a refined French name for a mulligan or Irish
stew made with any kind of meat, cooked or fresh, left-over
tidbits of fowl, and always potatoes, with any other vegetables, of
course, and one clove of garlic, minced. ✪ Ragout
Page 53 · 2 recipe records on this page
Presented as published in 1938. Historical recipes may not meet modern food-safety standards. Cook from the modern interpretation, not the original instructions.
AI-modernized reading of the original text
A life-loving genius like Brancusi gets as much kudos in Paris for his creative cooking as for his modern sculpture. He assembles whatever he has in the cupboard when guests arrive, and beginning with a deftness worthy ofa,coj'don bleu^ molds and slaps the ingredients together into an original dish which is said never to be a duplicate of any other he has made. He, like so many other artists,
is a one-dish-is-a-meal cook, and when that dish is done everyone eats of it ecstatically. And because of such creative achievements, cooking in France has been officially recognized as the eighth art. And here is a small gallery of Gallic culinary cornerstones, quite as perfect in their v/ay as the classic sculptures and columns of ancient Greece.
POT AU FEU
Any of the cheaper cuts of beef will serve, but rump and shoulder are the preferred pieces, with a length of marrow bone to give richness. Rump takes the longest cooking, approximately one third more time than brisket, or other cut from the fore quarter of the animal.
For each 2 pounds of beef:
lyi QUARTS COLD WATER 2 CARROTS, QUARTERED
SALT yi PARSNIP (oPTIONAL) .
3 LEEKS I SPRIG THYME
I ONION I SPRIG OF PARSLEY
3 CLOVES I BAY LEAF
6-IO PEPPERCORNS
Place meat in cold water over moderate fire and heat 35-40 minutes without allowing it to reach boiling point. Skim every few minutes. Increase heat and add i tablespoon salt, which will bring remaining scum to the surface so it can be removed. Cut leeks into finger lengths and wind with thread so they will not fall apart in cooking; pierce onion with cloves and add with remaining ingredients. Skim again when vegetables begin to cook. Reduce heat, cover closely and keep barely at the boiling point until done. The four essential points are: (i) careful skimming; (2) slow even heat; (3) a close-fitting cover that does not allow the aroma to escape; (4) never add more water to the pot while cooking or the flavor will be ruined.
Taste of the pot during the last half-hour of cooking and add additional salt if necessary. Take up meat and vegetables, and keep them hot. Skim fat from soup, strain, and reheat; pour it over sip- ;pets of toasted or fried bread. At the French family table the platter [of sliced meat and vegetables is passed for each person to choose
what he likes to put into his soup plate, then the solid portions are eaten with knife and fork, and the liquid with a whopping big soup spoon, and the more spoon music the better, though the polite French never go as far as Orientals who belch loudly and smack their lips like firecrackers to show full appreciation of food.
A big enamelware saucepan will turn out a fair pot au feu, an iron kettle is better, but the choice of all cooking utensils for this is an earthenware pot set on an asbestos ring to protect it from direct flame. Aluminum is the most unwholesome material in which to prepare any food, especially if it is to be cooked for a long time while chemical action is taking place on the metal.
RAGOUT
A ragout is simply a refined French name for a mulligan or Irish stew made with any kind of meat, cooked or fresh, left-over tidbits of fowl, and always potatoes, with any other vegetables, of course, and one clove of garlic, minced.
Records on this page
Pot au FeuRagout