First, let us give you an idea of the difficulty under
which we secured these recipes by printing them just as
he wrote them down for us, and then we shall elaborate
50
SAN FRANCISCO
a little and show the result of skillful questioning. This
is the way he wrote the recipe for Risotto Milanaise:
"Onions chop fine — marrow and little
butter — rice — saffron — chicken broth — ^^im Vnjat\p^
wen cook add fresh butter and Parmesan MILANAISE
cheese seasoned.
What was embodied in the words "wen cook" was
the essential of the recipe and here is the way we got it:
Chop one large onion fine. Cut a beef marrow into small
dice and stir it with the chopped onion. Put a small piece of
butter in a frying pan and into this put the onion and marrow
and fry to a delicate brown. Now add one scant cup of rice,
stirring constantly, and into this put a pinch of saffron that has
been bruised. When the rice takes on a brown color add,
slowly, chicken broth as needed, until the rice is thoroughly
cooked. Then add a lump of fresh butter about the size of a
walnut, and sprinkle liberally with grated Parmesan cheese,
seasoning to taste with pepper and salt✪ Risotto Milanaise. This is to be served
with chicken or veal.
The second recipe was for Fritto Misto, and he wrote
it as follows :
"Lamb chops and brains breaded — MTVrn
sweetbreads — escallop of veal — fresh MlblU
mushrooms — Italian squash when in sea-
son— asparagus or cauliflower — fried in fresh butter — dipped
in beaten eggs — lime jus."
"Fritto Misto" means fried mixture, and the recipe as
we finally elucidated it is as follows:
Take a lamb chop, a piece of calf brain, one sweetbread, a
slice of veal, a fresh mushroom, sliced Italian squash, a piece
of asparagus or of cauliflower and dip these into a batter made
of an egg well beaten with a little flour. Sprinkle these with a
little lime juice and fry to a delicate brown in butter, adding
salt and pepper to taste✪ Fritto Misto.
At the Gianduja, as at all other Italian restaurants
not much affected by Americans, you will find an at-
mosphere of unconventionality that is delightful to the
Bohemian. There is no irksome espionage on the part
51
BOHEMIAN
of other patrons, all of whom are there for the purpose
of attending strictly to their own business, and the af-
fairs of other diners are of no conse-
IN THE HEART quence to them. There is freedom
Qp of expression and unconsciousness,
j'j'^LY most pleasing after having experi-
enced those other restaurants where
it seems to be the business of all the rest of the guests
to know just what you are eating and drinking. There
is little of the obnoxious posing that one finds in res-
taurants of the down-town districts, for while Italians,
in common with all other Latins, are natural born
poseurs, they are not offensive in it, but rather impress
you with the same feeling as the antics of a child.
Page 27 · 2 recipe records on this page
Presented as published in 1914. Historical recipes may not meet modern food-safety standards. Cook from the modern interpretation, not the original instructions.
AI-modernized reading of the original text
A modernized reading is not available for this page yet. You are seeing the original text.
First, let us give you an idea of the difficulty under
which we secured these recipes by printing them just as
he wrote them down for us, and then we shall elaborate
50
SAN FRANCISCO
a little and show the result of skillful questioning. This
is the way he wrote the recipe for Risotto Milanaise:
"Onions chop fine — marrow and little
butter — rice — saffron — chicken broth — ^^im Vnjat\p^
wen cook add fresh butter and Parmesan MILANAISE
cheese seasoned.
What was embodied in the words "wen cook" was
the essential of the recipe and here is the way we got it:
Chop one large onion fine. Cut a beef marrow into small
dice and stir it with the chopped onion. Put a small piece of
butter in a frying pan and into this put the onion and marrow
and fry to a delicate brown. Now add one scant cup of rice,
stirring constantly, and into this put a pinch of saffron that has
been bruised. When the rice takes on a brown color add,
slowly, chicken broth as needed, until the rice is thoroughly
cooked. Then add a lump of fresh butter about the size of a
walnut, and sprinkle liberally with grated Parmesan cheese,
seasoning to taste with pepper and salt. This is to be served
with chicken or veal.
The second recipe was for Fritto Misto, and he wrote
it as follows :
"Lamb chops and brains breaded — MTVrn
sweetbreads — escallop of veal — fresh MlblU
mushrooms — Italian squash when in sea-
son— asparagus or cauliflower — fried in fresh butter — dipped
in beaten eggs — lime jus."
"Fritto Misto" means fried mixture, and the recipe as
we finally elucidated it is as follows:
Take a lamb chop, a piece of calf brain, one sweetbread, a
slice of veal, a fresh mushroom, sliced Italian squash, a piece
of asparagus or of cauliflower and dip these into a batter made
of an egg well beaten with a little flour. Sprinkle these with a
little lime juice and fry to a delicate brown in butter, adding
salt and pepper to taste.
At the Gianduja, as at all other Italian restaurants
not much affected by Americans, you will find an at-
mosphere of unconventionality that is delightful to the
Bohemian. There is no irksome espionage on the part
51
BOHEMIAN
of other patrons, all of whom are there for the purpose
of attending strictly to their own business, and the af-
fairs of other diners are of no conse-
IN THE HEART quence to them. There is freedom
Qp of expression and unconsciousness,
j'j'^LY most pleasing after having experi-
enced those other restaurants where
it seems to be the business of all the rest of the guests
to know just what you are eating and drinking. There
is little of the obnoxious posing that one finds in res-
taurants of the down-town districts, for while Italians,
in common with all other Latins, are natural born
poseurs, they are not offensive in it, but rather impress
you with the same feeling as the antics of a child.