THE ENCYCLOPEDIA OF PRACTICAL COOKERY.
307
Carving — continued.
cook ! That is not an uncommon fate ; but, happily, the
cook’s chefs d’ceuvre are sometimes submitted to the
refined treatment of a skilful Carver, and such a one
the cook would take to his heart with tears of gratitude,
and in an ecstasy of .joy. Too well he knows that good
Carvers are scarcer than good cooks, and yet upon the
skill of him who serves the viands depends in a marked
degree the success of the viand itself. Be the dish never so
tasty and ornamental, much of its artistic credit may be
lost in the carving.
Let’s carve him as a dish fit for the gods,
Not hew him as a carcase fit for hounds.
SHAKESrEAB.
It is noteworthy that, with the exception of the German
kerben, to notch or jag, no other Continental language has
a near equivalent to our word; the terms for “to cut,”
generally used, being applicable to a variety of purposes.
From the Anglo-Saxon ceorfan, pronounced “ korfan,”
carving takes its origin, and it has undergone very little
alteration through changeable ages.
Fig. 345. Pair of Slicing-carvers.
The office of Carver has always been recognised in the
annals of cookery as of exceptional importance ; now-a-
days, in small families it is the duty of the host to dispense
his own hospitality, but at one time this was the duty of
the hostess or lady at the head of the table, hence carving
became a highly important element in the education of a
lady intended to shine in any scale of society. But in
spite of all this how rarely do we meet with a skilful
Carver ? This part of the domestic education is sadly
neglected, for the following reasons : firstly, because of the
general lack of opportunities to practise ; secondly, be-
cause the average man is lazy at table, and prefers to be
served rather than serve others; thirdly, because to bear
the reputation of an able Carver entails a perpetual, and,
sometimes perhaps, inconvenient demand upon the services
of the individual, whilst others, not less actively employed
with their knives and forks, sit around him to enjoy the
products of his skill and dexterity. Continental cooks are
of opinion that the average Englishman is the very worst
Carver in existence ; that he is not aware of his deficiencies
but undertakes cheerfully the most complicated operations,
and performs with extraordinary clumsiness by main
force what might be done by a light movement of the
knife did the operator take the precaution to first under-
stand the anatomical complications with which he is
attempting to deal. Indeed, it is no unusual circumstance
for the French satirist to exercise his entertaining wit
upon representations of the deeds of the British Carver.
For details respecting Culinary Processes , Utensils,
Carving — continued.
In one cartoon, which forcibly presents itself to our
recollection, the father of a family is depicted struggling
with a goose, which circles gaily round a dish, making
spasmodic darts from side to side, and freely besprinkling
the guests with the gravy. “ Which is the goose ? ” in-
quires the artist in the sub-line. But, although the hos
may be to blame for his lack of carving skill, yet the cook
comes in for his share of badinage, for in a counter
cartoon he is represented trussing the goose, and piercing
Fig. 347. Poui.try-carver.
Page 171
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THE ENCYCLOPEDIA OF PRACTICAL COOKERY.
307
Carving — continued.
cook ! That is not an uncommon fate ; but, happily, the
cook’s chefs d’ceuvre are sometimes submitted to the
refined treatment of a skilful Carver, and such a one
the cook would take to his heart with tears of gratitude,
and in an ecstasy of .joy. Too well he knows that good
Carvers are scarcer than good cooks, and yet upon the
skill of him who serves the viands depends in a marked
degree the success of the viand itself. Be the dish never so
tasty and ornamental, much of its artistic credit may be
lost in the carving.
Let’s carve him as a dish fit for the gods,
Not hew him as a carcase fit for hounds.
SHAKESrEAB.
It is noteworthy that, with the exception of the German
kerben, to notch or jag, no other Continental language has
a near equivalent to our word; the terms for “to cut,”
generally used, being applicable to a variety of purposes.
From the Anglo-Saxon ceorfan, pronounced “ korfan,”
carving takes its origin, and it has undergone very little
alteration through changeable ages.
Fig. 345. Pair of Slicing-carvers.
The office of Carver has always been recognised in the
annals of cookery as of exceptional importance ; now-a-
days, in small families it is the duty of the host to dispense
his own hospitality, but at one time this was the duty of
the hostess or lady at the head of the table, hence carving
became a highly important element in the education of a
lady intended to shine in any scale of society. But in
spite of all this how rarely do we meet with a skilful
Carver ? This part of the domestic education is sadly
neglected, for the following reasons : firstly, because of the
general lack of opportunities to practise ; secondly, be-
cause the average man is lazy at table, and prefers to be
served rather than serve others; thirdly, because to bear
the reputation of an able Carver entails a perpetual, and,
sometimes perhaps, inconvenient demand upon the services
of the individual, whilst others, not less actively employed
with their knives and forks, sit around him to enjoy the
products of his skill and dexterity. Continental cooks are
of opinion that the average Englishman is the very worst
Carver in existence ; that he is not aware of his deficiencies
but undertakes cheerfully the most complicated operations,
and performs with extraordinary clumsiness by main
force what might be done by a light movement of the
knife did the operator take the precaution to first under-
stand the anatomical complications with which he is
attempting to deal. Indeed, it is no unusual circumstance
for the French satirist to exercise his entertaining wit
upon representations of the deeds of the British Carver.
For details respecting Culinary Processes , Utensils,
Carving — continued.
In one cartoon, which forcibly presents itself to our
recollection, the father of a family is depicted struggling
with a goose, which circles gaily round a dish, making
spasmodic darts from side to side, and freely besprinkling
the guests with the gravy. “ Which is the goose ? ” in-
quires the artist in the sub-line. But, although the hos
may be to blame for his lack of carving skill, yet the cook
comes in for his share of badinage, for in a counter
cartoon he is represented trussing the goose, and piercing
Fig. 347. Poui.try-carver.