5. By using furniture in which the horizontal lines dom-
inate, such as long low bookcases, davenports, sideboards, or
tables.
6* By using pictures which are horiisontal oblongs in shape,
or by grouping several smaller pictures so that either the lower
or uppt»r edges of their frames will estai>lish cotitinuous horizon-
tal lines.
Rooms that are too low may Im made to appear higher by
emphasinng the vertical lines, for example:
1. By placing the picture-molding at the ceiling, lea\dng the
sidewall undivided,
2. By using vertically striped wall paper. Stripes should
always be of nearly the same color or value in order to be un-
obtrusive.
3. By using as long draperies as are consistent with the use
and structure of tlie room, and by hanging these in straight
folds and so arranging them as to make the openings high and
narrow in effect.
4. By the use of tall and narrow bookshelves, cabinets, and
other furniture.
5. By the use of pictures that are vertical oblongs, or by
grouping the pictures with each other or with pieces of furniture
so that the vertical is emphasized.
In a room that is square or is too short an oblong, emphasis
may be given to one dini(^nsion, for example:
1. By ofx'ning up a vista through a door or wimlow, or by
planning interesting features in tlie fornishings in order to
emphasis^e the long axis of the room. A mirror may perform
Irrrl lilt TT
pCMfflttri
ppor Bfr
liowrs i» rt'Iali^jn io the isdjomiciji: wall npftce. First n>onp: A dn^le
■lU} of B abort wttl]: a Amoil dotjbli>»huiiR witiduv ol twld de«i£&; a
! winr|i-r«' wt^h j,»li"x^in»r w:ifl spnrr. jirrMiTid it; nn intereatliu: vul
■ . . : r ,iv wallr—
rth
I foi
irit«refltiti
iifNsfTit Mf I'riTii'h Miruioirit. Th
ir- pru|iurlu>ti of the room and th
HOME FURNISHING
87
a valuable office in adding to the appai-ent k'ngth of a room.
Tbc French have understood this and have iiKTCiu^ed the ap-
parent size of dance-hall and dining-room i>y the skillful use
of many mirrors.
2. By pliacing the long dimension of a rug in the direction
to be emphasized. If the room is sufficiently large and the
o(her conditions warrant it, two narrow rugs so placed as to
emphasize the length of the room may be UBcd.
3, By placing the long pieces of furniture in the direc-
tion to be emphasised* Seats or slielves may sometimes be
built in.
In rooms that are too long, the apparent width should be
increased and the apparent length diminishctl by every ileviee
posHble, for example:
1. By placing openings or important structural fratiu'es
centrally on the long sides, thus breaking the length of tlie
room into two or more furnisliing centei's.
2. By using more* than one rug, placed with the long edges
parallel to the short side of the room, in order to break up the
epaee and establish lines across the room.
3. By placiiig the long pieces of furniture or by grouping
furniture so that the width rather than the length of the room
is emphasized.
Loc^ilion of tmndoum and doors (Figs. 17, 18),
The location, style, and proportion of windows and doors
are slnictiiral considerations that affect eveiy interior. The
amount and shapes of the remaining wall spaces after windows
and doors have been placed define the possil)ilitics of the fur-
ri -^lienie. It is, therefore, important U> arrange windows
Page 22
Presented as published in 1919. Historical recipes may not meet modern food-safety standards. Cook from the modern interpretation, not the original instructions.
AI-modernized reading of the original text
A modernized reading is not available for this page yet. You are seeing the original text.
5. By using furniture in which the horizontal lines dom-
inate, such as long low bookcases, davenports, sideboards, or
tables.
6* By using pictures which are horiisontal oblongs in shape,
or by grouping several smaller pictures so that either the lower
or uppt»r edges of their frames will estai>lish cotitinuous horizon-
tal lines.
Rooms that are too low may Im made to appear higher by
emphasinng the vertical lines, for example:
1. By placing the picture-molding at the ceiling, lea\dng the
sidewall undivided,
2. By using vertically striped wall paper. Stripes should
always be of nearly the same color or value in order to be un-
obtrusive.
3. By using as long draperies as are consistent with the use
and structure of tlie room, and by hanging these in straight
folds and so arranging them as to make the openings high and
narrow in effect.
4. By the use of tall and narrow bookshelves, cabinets, and
other furniture.
5. By the use of pictures that are vertical oblongs, or by
grouping the pictures with each other or with pieces of furniture
so that the vertical is emphasized.
In a room that is square or is too short an oblong, emphasis
may be given to one dini(^nsion, for example:
1. By ofx'ning up a vista through a door or wimlow, or by
planning interesting features in tlie fornishings in order to
emphasis^e the long axis of the room. A mirror may perform
Irrrl lilt TT
pCMfflttri
ppor Bfr
liowrs i» rt'Iali^jn io the isdjomiciji: wall npftce. First n>onp: A dn^le
■lU} of B abort wttl]: a Amoil dotjbli>»huiiR witiduv ol twld de«i£&; a
! winr|i-r«' wt^h j,»li"x^in»r w:ifl spnrr. jirrMiTid it; nn intereatliu: vul
■ . . : r ,iv wallr—
rth
I foi
irit«refltiti
iifNsfTit Mf I'riTii'h Miruioirit. Th
ir- pru|iurlu>ti of the room and th
HOME FURNISHING
87
a valuable office in adding to the appai-ent k'ngth of a room.
Tbc French have understood this and have iiKTCiu^ed the ap-
parent size of dance-hall and dining-room i>y the skillful use
of many mirrors.
2. By pliacing the long dimension of a rug in the direction
to be emphasized. If the room is sufficiently large and the
o(her conditions warrant it, two narrow rugs so placed as to
emphasize the length of the room may be UBcd.
3, By placing the long pieces of furniture in the direc-
tion to be emphasised* Seats or slielves may sometimes be
built in.
In rooms that are too long, the apparent width should be
increased and the apparent length diminishctl by every ileviee
posHble, for example:
1. By placing openings or important structural fratiu'es
centrally on the long sides, thus breaking the length of tlie
room into two or more furnisliing centei's.
2. By using more* than one rug, placed with the long edges
parallel to the short side of the room, in order to break up the
epaee and establish lines across the room.
3. By placiiig the long pieces of furniture or by grouping
furniture so that the width rather than the length of the room
is emphasized.
Loc^ilion of tmndoum and doors (Figs. 17, 18),
The location, style, and proportion of windows and doors
are slnictiiral considerations that affect eveiy interior. The
amount and shapes of the remaining wall spaces after windows
and doors have been placed define the possil)ilitics of the fur-
ri -^lienie. It is, therefore, important U> arrange windows